Homepage / MusicWorld / Black/Death Powerhouse HISS FROM THE MOAT Unveils Video For Title Track Of New Album 'The Harrier'
The Top 10 Comments on the Lords of Chaos Trailer For Those About to Squawk: Horrisonous, Ravenous Death, Vesication Watch: 10:13 – ‘Conduit Closing’ Video Premiere: Dead Register – ‘Captive’ Track Premiere: Blodskam – ‘Bödel’ Tales From the Metalnomicon: Soundtrack to the “Zombie Punks Fuck Off”-alypse Photographer Alyssa Herrman Discusses New YOB Book Track Premiere: Chainbreaker – ‘Lethal Desire’ Track Premiere: A Novelist – ‘Tombeau’ Maximum Rocknroll Announces End of Print Publication Interview with Bloody Invasion Full Album Stream: Spillage – “Blood of Angels” Wolves in the Throne Room, The Ruins of Beverast and more announced for Fire in the Mountains Interview with Bless the Dead Track Premiere: Breaking Wheel – ‘Torment of Flesh’ Rotting Out Release New Song, “Reaper” Interview with Voidhaven Track Premiere: Judiciary – ‘War (Time is Nigh)’ WAKE Announce Spring Tour Track Premiere: Vimur – ‘Seditious Apertures’ Track Premiere: Imha Tarikat – ‘III-III: Imha Tarikatı (Sect of Destruction)’ Track Premiere: Thetan – ‘Null and Void’ High on Fire Cancel Electric Messiah 2019 Tour Due to Medical Issues For Those About to Squawk: Woorms, Oomph! Limited Decibel Metal & Beer Fest: Los Angeles Merch Now Available! Ossuarium Unleashes a “Blaze of Bodies” on Upcoming Debut Album Demo:listen: Caustic Vomit Death Fortress Continues Their Unending Reign Demo:listen: Lathliss Gift Subscriptions, Decibel Tour and Metal & Beer Fest Tickets for Christmas? Dimlight – new triple concept album is released, under the main title of “Kingdom of Horrors” OSDM Outfit Brutality Re-record Classic Songs for ‘Antecedent Offerings’ 5 Albums to Look Forward to in 2019 Carcass Watain KILL ALL THE GENTLEMEN Release New Official Video For ‘Sing For Me Sinner’ Hypnotheticall – launch lyric video for “Industrial Memories” Track Premiere: Yidhra – ‘Fuck Christmas’ (Fear Cover) No Corporate Beer: Thinking Hard About the Weather Cocoa Porter Track Premiere: INTRCPTR – ‘Dusted’ Holy Mountain Printing Launch Shirt to Benefit Pat O’Brien STEELAWAKE Release Official Video For ‘Hot Mess’ Food for Thought: Brainoil Discuss First Album in Seven Years DARK MIRROR OV TRAGEDY Reveal New Official Video From Forthcoming Album Album Review: Create a Kill – “Summoned to Rise” Interview with Sectlinefor Serbian Progressive Metal Group DEAD FROG join Sliptrick records CYANIDE SUNDAE Release New Official Video & Single From The Upcoming Album ‘Blinded Generation’ Black/Death Powerhouse HISS FROM THE MOAT Unveils Video For Title Track Of New Album ‘The Harrier’ Track Premiere: Surachai – ‘Empress of the Starved Lung’ Reapter to release new album “Blasted” in 2019 via Revalve records Track Premiere: Vile Apparition – ‘Malevolent Aphantasia’ US Melodic Death Metal Group BLOOD OF ANGELS Join Sliptrick records FETOR / CREPITATION “Onset Of Horrendosity” to be released on January 25th 2019 by Deformeathing Production Full Album Stream: Squalus / Shadow Limb – “Mass and Power” Watch: Gaerea – ‘Absent’ The Workhorse Chronicles: Matron Thorn Track Premiere: Restless Spirit – ‘Ripped From Me’ Full EP Stream: Demonbreed – “Hunting Heretics” Carved to release their 3rd imposing new album Thanatos on February 15th via Revalve Records Mechanical God Creation sign to Goatmancer Records Track Premiere: Musmahhu – ‘Spectral Congregation of Anguish’ MALUM SKY Release New Official Video For ‘Diatribe’ And Announce Album Pre-Order MASSFACE Release New Official Video For The Track ‘Blackwater’ Interview with DIE ENTWEIHUNG Full Album Stream: Adaestuo “Krew Za Krew” No Corporate Beer: Bicycle Kick Russian Metalcore Electronic Group BRIGHTDELIGHT signs with Sliptrick records Interview with Onydia HECATE ENTHRONED Unveils New Song ‘Temples That Breathe’ For Those About to Squawk: Necrosleezer, Blood Feast, Defy the Curse Track Premiere: Olkoth – ‘Imperfect Reanimation’ Veil of Conspiracy “Me, Us and Them” to be released on February 8th via Revalve Records ANCIENT OAK CONSORT – release lyric video for “The Race” Full Album Stream: Tuskar – “The Tide, Beneath, The Wall” Full EP Stream: Deathkings – “Ex Nihilo” Watch: Inoculation – ‘Loss of Esoteric Profoundness’ The Workhorse Chronicles: Rogga Johansson Symphonic Metal/Folk The Mexican Way CABRAKAÄN Join Sliptrick recs Video Premiere: Depravity – ‘Despondency’ Full Album Stream: Goats of Doom – “Rukous” Odium records launch Pre-Order of the Black Altar’s re-edition of “Suicidal Salvation” Interview with Tragodia Canadian Alternative Metal Group DOAN join Sliptrick Records Full Album Stream: Ichor – “Hadal Ascending” Track Premiere: Varego – ‘The Abstract Corpse’ Symphonic Goth Rock Band LIPSHOK CD ‘To Haunt a Quiet Realm’ Interview with GC Project Interview with Bad Bullet NEW HORIZONS – launch new lyric video for “Borderlands Pt.2” Mourn at Obliteration’s Obscure Cenotaph Video Premiere: Vane – ‘Mutiny’ A Little Doom And A Whole Lot Of Heavy Metal – Meet CIRCLE OF WITCHES HECATE ENTHRONED – release new album ‘Embrace Of The Godless Aeon’ on January Onydia – launch preview and tracklist of “Reflections” Interview with Project Infinity in memoriam: Erik Lindmark (Deeds of Flesh/Unique Leader) Watch: Huntsmen – ‘Atlantic City’ NALE (SE) hits the Baltics in March 2019 HECATE ENTHRONED – release new album ‘Embrace Of The Godless Aeon’ on January

Black/Death Powerhouse HISS FROM THE MOAT Unveils Video For Title Track Of New Album ‘The Harrier’

HISS FROM THE MOAT, the transcontinental black/death metal band founded by acclaimed drummer James Payne (Vital Remains, Hour of Penance), have unveiled a video for the title track of their sophomore album “The Harrier,” due out via M-Theory Audio on February 22, 2019. The clip can be seen at this location:

The song can also be streamed on Spotify, Apple Music and other digital platforms. In addition, the M-Theory webshop has launched the pre-order for “The Harrier,” which is available on CD and limited-edition moat-black vinyl (200 copies). Digital pre-orders via Bandcamp include an instant download of the title track.

“The song, ‘The Harrier,’ represents the identity of the album both for the instrumental part and the lyrics. The instrumental part is composed by many dynamic parts that create crescendos that then explode into more opened and epic parts, which is also how we composed the album itself — powerful, but not only fast,” explains drummer James Payne. “The lyrics, instead, are composed from extracts of sacred and political texts (as it’s indicated from the inscription in brackets) that, isolated and used in a more direct way, express and show how violent and brutal these books are, and sums up a good part of what the album itself talks about.

The video is composed from the lyrics that are supported from some illustrations that represent what the lyrics are saying. We chose to do this as a reference to how the illustrations were used in the past, to explain to whoever couldn’t read, what was written in the sacred texts. We wanted to do the same thing here since, nowadays, almost everybody can read, but everyone have their own interpretation of whatever is written, instead, since we have a specific and clear message to deliver, we’ve used the images to kind of have the same role that they had in the past — to explain to whoever gets our message, the meaning of it, to avoid misinterpretations.”

“The Harrier” – which features cover artwork by Stefano Bonora – was recorded, mixed and mastered at Milan’s SPVN Studio with Stefano Orkid Santi, who produced the latest Cripple Bastards album and previously worked as live engineer for bands such as Origin, Suffocationand Cattle Decapitation.

The U.S.-based Payne formed HISS FROM THE MOAT with two Italian friends – bassist/vocalist Carlo Cremascoli and guitarist Giacomo Poli – when he was just 18 years old. In 2009, the group self-released their debut EP, “The Carved Flesh Message,” which they supported by performing alongside the likes of Psycroptic, Skeletonwitch and The Black Dahlia Murder.

Four years later, HISS FROM THE MOAT released their debut full-length,“Misanthropy,” via Lacerated Enemy/Nuclear Blast. The band’s intense use of both extremes of death and black metal produced an album that stood alongside the delivery of acts such as Behemoth, Belphegor andRotting Christ.

Following the release of the album, HISS FROM THE MOAT embarked on an extensive tour across Russia, Europe and Asia, delivering aggressive and visually engaging performances backed by the blackened intensity of the band’s new material. During this period, Payne left the legendary death metal act Vital Remains – a group he joined following a two-year stint with Italian death metal powerhouse Hour of Penance – to focus full-time on HISS FROM THE MOAT, and the band extended from a three-piece to a quartet with the addition of Max Cirelli (guitar/vocals).

Over the past two years, the band has toured extensively worldwide while working between the U.S. and Italy to write “The Harrier.” Now, HISS FROM THE MOAT aim to unleash another sonic onslaught that captures the band’s range of death and black metal inspiration while creating a unique and intense presence in the world of extreme music.

HISS FROM THE MOAT are:
Max Cirelli – Guitar/Vocals
James Payne – Drums
Carlo Cremascoli – Bass/Vocals
Jack Poli – Guitar

www.facebook.com/hissfromthemoat
www.twitter.com/hissfromthemoat
www.instagram.com/hissfromthemoat
www.m-theoryaudio.com